This series centers on the egg as a fragile symbol of beginning, protection, and loss. It appears not simply as an object, but as a vessel — something that holds life, memory, and the quiet possibility of rupture.

Across the works, familiar forms begin to shift. A nest becomes a pedestal, a plate becomes a stage, shadows separate into color, and the shell reveals both its strength and vulnerability. The images exist in the moment before something changes — before breaking, opening, disappearing, or becoming.

The egg also carries a quiet connection to the history of photography. In the nineteenth century, egg white was used in albumen printing, one of the medium’s earliest photographic processes. In this way, the subject becomes both image and echo, linking light, surface, creation, and trace.

Held between beauty and unease, these photographs remain suspended in a charged instant, where fragility feels alive.